As a first generation Salvadoran-American, historical collective memory is the prime influence and inspiration for my work. Every face, every voice, and every hand holds a story. Through art one can rediscover what has been […][…]
“Given enough paint, paper and permission, there’s no telling where we might end up…” – Bill Hayward As a kick-off to Fashion Week 2014 befitting the alternative thinkers of Psychology Tomorrow Magazine, the High Line Hotel in […][…]
Artist Nancy Marks’ brilliantly crafted work celebrates the personal artifact as an extension of a person, immortalizing those who have passed away through the objects they either used every day or cherished throughout their lives. […][…]
How Can I Help? – An Artful Dialogue is an unique exhibition / installation of a psychotherapeutic office environment in which artists hold “office hours,” offering sincere responses to visitors with creative interpretations of psychotherapeutic consultation. […][…]
NEW YORK CITY– Fashion Week isn’t just for high fashion designers or paper-thin models. As an alternative, Photographer Bill Hayward and Psychology Tomorrow Magazine captured the every day, beautiful citizens of New York City at Let […][…]
Artist Ryan Frank blurs the boundaries between sculpture, photography and performance with his handsomely finished wooden boxes. To view the exhibition move through the large-scale objects, climb over, under and around them, look up and […][…]
The objects we keep are a testament to the depth and breadth of being human and loving. The objects we keep are sacred containers. This body of work seeded itself 15 years ago when the […][…]
Bio I was born in Plymouth, Massachusetts in 1989 and spent an influential chunk of my childhood in Southeast Asia. A big turning point for me was living in Jakarta, Indonesia and being evacuated to […][…]
Gaia Alari, also known as Marie-Esther, is an entirely self-taught artist from Milan, Italy. Since 2009, she has dedicated her free time away from her medical studies and work to improve her skills in the field of […][…]
In 2002, I went back to school for Art Therapy at NYU. I immediately saw that basing art therapy on psychoanalysis, which is the common practice, was a mistake. Psychoanalysis is basically a thinking system. […][…]
